It was Leo Tolstoy who said “All great literature is one of two stories; a man goes on a journey or a stranger comes to town,” and in the case of Andrew Duhon and his latest album Emerald Blue, both instances are true. Duhon temporarily left New Orleans, his longtime home and musical muse in 2019, finding himself inspired by the landscape of the Pacific Northwest and notably, its colors—a hue he describes as ‘emerald blue’ for which the album is named, the same shade looking back at him in his partner’s eyes. Had he overlooked the specific shade of her eyes while living below sea level? Or did the change of location open his mind more acutely? The record does just that: examine the familiar in the context of the unfamiliar. Emerald Blue is a probing appreciation of the dailiness of life; a note-taking exercise in living.
Duhon channeled his new perspective into an eleven song collection, calling on friends and collaborators including Jano Rix on drums, percussion, and harmonies; Myles Weeks on upright and electric basses and harmonies; and Dan Walker on keys and accordion. Duhon returned South for the recording process, finding comfort and creativity in Maurice, Louisiana’s storied Dockside Studios with GRAMMY-award winning engineer and longtime collaborator of Andrew’s, Trina Shoemaker, to capture every inch of vibe and beauty and texture each song had to offer.
Emerald Blue in the news:
“Andrew Duhon looks for a better balance to life on new ‘Emerald Blue’” via Gambit Weekly
Duhon muses on the kindness of strangers and fly fishing for Coastal Angler
“Faintly reminiscent of early M Ward and artists like Beachwood Sparks, Bonnie “Prince” Billy, Sparklehorse or Damien Jurado, ‘Emerald Blue’ sits happily at the crossroads of harmony-drenched pop, rustic americana, Appalachian folk and about a half-dozen other styles, all meeting and mixing around the warmth of Duhon’s vocals; world-weary, stretched and full of soul.” -Holler
Duhon is “a teller of stories with an undeniable voice, weighted and soulful.” -KPCW/NPR
No Depression calls the album “effortless,” noting “Duhon reminds us that everything comes in its time: adventure, loneliness, tragedy and — yes, even if it’s fleeting — contentment.”